THEORETICAL BACKGROUND

MEXICO COMEDY

FIRST READING:

raw operas that allow their graduates the realization of a professional feature film funded by the university and the Mexican Film Institute, within which they debuted, to date, dozens of graduates in various areas of creation in the eleven films that have been produced by this method, both fiction and documentary, has also CUEC co convetido in more than ten feature film in the last five years.The piblucaciones the center, with over 30 titles in all areas from which to film, has become the textbook in all areas of audiovisual education in Mexico with original research of their academic and civic translations of relevant authors of cinematography, outstanding especially the third edition of the book sculpt andrey time tarkovski.por them. and many more other reasons, is a reference CUEC the CUEC is a necessary reference in the formation and generation of filmmakers in Latin America

SECOND READING:

Sara Smith, a Pasadena resident, went shopping. She is 30, and has lived at 3037 N. Foothill Street since 1992. Sara has been married to John for seven years. They have two children; Bob is five years old and Nancy is three. Sara owns a 1995 four-door blue Toyola. At 9 a.m., Sara got into her car and drove to Barget, a department store a mile away.

Barget was having a holiday sale. Sara bought a four-slice toaster for $29.95 plus tax. The regular price was $39.95. She paid by check. On her way home, Sara stopped at MilkPlus to buy a gallon of nonfat milk. The milk was $3.50. Sara got 50 cents back in change.

Sara arrived home at 10 a.m. John and the kids were still sleeping. She woke them up and then made a hot and nutritious breakfast for everyone.